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Everyone who knows something about Turkey knows Midnight Express. And so do most people who know nothing about Turkey, wherein lies the problem with the film—its success. The film’s acclaim has left its broad American audience with an unflinchingly brutal portrait of Turks as prison rapists and torture artists, which the Turks do not particularly appreciate.

The cynic could, of course, attribute Turks’ dislike for the film to a perceived damage done to their vital tourism industry (probably true), but in my experience, the hurt is genuine. The film, they think, was just plain unfair—unwarranted. And what’s even worse is that it just won’t… go… away. Here’s a Turkish columnist’s wry commentary on one such new development.

The Express nightmare returns
İzzet Çapa; Hürriyet; January 13th, 2014

The calamitous nightmare that showed us as a kind of boogeyman for years, Midnight Express, is coming back.

The writer and “hero” of the novel, Billy Hayes, enemy of the Turks, will now take the stage in The Midnight Express, a one-man play starting January 22nd on Broadway. Billy will allegedly play out heretofore unrevealed details from his time in İmralı. Obviously running short on money, he is once again bringing up old issues of ours.

Ouch. But actually, the title is Riding The Midnight Express With Billy Hayes, and there is an indication that part of the purpose of the play is to “correct” some of the fictional fabrications from the movie. So maybe you shouldn’t be so critical, Mr. Çapa.

Fans of one-man plays about Turkish prison (appealing, no?) can go here for tickets.

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Written by M. James

January 13, 2014 at 3:28 am

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